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Learning an Ancient Art: Quilling Workshop with Carolyn Edge

Meetings

29 Mar

By Linda W. Darden

quilled pineapple and supplies
Our quilling project; photo courtesy of Carolyn Edge

The JASNA North Carolina region got crafty for the March 26 meeting with a quilling workshop led by The Quilling Edge’s Carolyn Edge. Carolyn has been quilling since 2017, starting with a hobby picked up in a local workshop, and now she creates stunningly beautiful designs as shown on her website.

In advance of the meeting, members were provided a supply list, including a blog post on Carolyn’s website, as well as options for purchasing quilling kits. During the presentation Carolyn demonstrated how a quilling project can be completed with a variety of supplies, including a simple round toothpick.  

As the workshop began, Carolyn provided an overview of the concepts of quilling and explained how artworks and designs are made using the basic coiling and shaping techniques. While members worked on their pineapple designs, Carolyn shared a brief history of quilling, noting that the name was derived from the use of goose quills to roll the coils. While there is no definitive record of the first use of decorative quilling, there are records indicating the practice was used in the Middle Ages. In particular nuns and priests were known to use the gilt-edge pages of church books to form decorations.

Carolyn demonstrates shaping the coil

In Jane Austen’s era, quilling was commonly called “filigree” in reference to the metal-work sometimes used in jewelry and ironworks. Filigree was considered an appropriate pastime for an accomplished lady, similar to needlework or painting. Members of JASNA may be familiar with the reference to filigree in Sense and Sensibility when Lucy Steele works on a basket for Lady Middleton’s “poor little Annamaria.” Members were directed to a Jane Austen Summer Program blog post for additional information.

Carolyn led the group with step-by step instructions, along with troubleshooting tips for common problems. The website www.paperzen.ca was also provided as a resource site, in addition to the links page on Carolyn’s site, and numerous tutorials of varying skill levels can be found on YouTube. 

The workshop concluded with members having completed a lovely pineapple quilled card. In the Regency era, pineapples were symbols of wealth and of colonialism. More information was offered to members in the Persuasions article by Damianne Scott, focused on pineapples and their vexed symbolism in Regency England. In the United States today, it depends on your region or community what symbolism a pineapple can carry, from being a symbol of hospitality, globalization, welcome, a particular sexual lifestyle (if the pineapple is upside down), or slavery; see this article to learn more about the pineapple’s ‘prickly’ associations.

A sampling of created projects, including a flower made with leftover scraps

The meeting wrapped up with a big HUZZAH and thank you to Carolyn for sharing her skill. JASNA-NC had a blast learning this art form!

Next up for JASNA-NC is a talk on disability in Austen with Kathleen James-Cavan and our Virtual Book Club in May where we’ll be reading John Mullan’s What Matters in Jane Austen?.

Previous Post: « A Foray into Poetry: Poets Familiar to Jane Austen
Next Post: Laughter Through Gritted Teeth: Considering Bodily Diversity in Austen’s Novels with Kathleen James-Cavan »

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Jane Austen Wrecked My Life – Movie Meetups ... See MoreSee Less

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4 weeks ago

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Our member Carolyn Brown is hosting an online event with JASNA-Mississippi, and we're all invited to attend! Join the Mississippi Region for a Zoom presentation by Laura Jones, a painter from Laurel, Mississippi, whose most recent paintings, titled "Filmscapes," were inspired by the 2005 film version of Pride and Prejudice. Jones will share her art and the story behind it. Her work has been featured in Season 8 of Home Town on HGTV and, in addition to her art, she serves as an executive assistant at Erin and Ben Co.Jones says the collection focuses on the background of the film. She says: "Often overlooked, the setting is not just a location; it becomes a vital, living part of the narrative. It supports the characters, enhances the drama, and sets the stage for their journeys. In this collection, I aim to spotlight these scenes, drawing attention to the environments that shape and influence the story, bringing them into their own moment of focus. These paintings transform the setting from a passive backdrop into a main character, and once they are hung in the homes of their new owners, they will become the background of a new story."Join Zoom Meeting on Wednesday, May 14th at 7 p.m. Central Time (8 p.m. Eastern):us02web.zoom.us/j/83517582795?pwd=PDndsbqMsUCHOmozNWceB52BC6X52V.1Meeting ID: 835 1758 2795Passcode: 745917 ... See MoreSee Less

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1 month ago

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What: Virtual Book Club: What Jane Austen’s Characters Read (and Why) by Susan Allen FordWhen: May 4, 2025 from 2:00-3:30 p.m.Where: In the comfort of your home via ZoomRSVP: This event is open to members and interested guests; it is FREE but registration is required. Register for Zoom at jasnanorthcarolina.org/events/may-4-2025-virtual-book-club-susan-allen-fords-what-jane-austens-ch...Accessibility: We have auto-captions available in the Zoom meeting for our conversation and the author Q&A discussion, and accompanying slides with text and images that will be as clear and as high-contrast as possible. If you have accessibility needs we have not addressed here, please let us know.About the BookThe first detailed account of Austen’s characters’ reading experience to date, this book explores both what her characters read and what their literary choices would have meant to Austen’s own readership, both during her life and today.Jane Austen was a voracious and extensive reader, so it’s perhaps no surprise that many of her characters are also readers-from Mr. Collins in Pride and Prejudice to Fanny Price in Mansfield Park. Beginning by looking at Austen’s own reading as well as her interest in readers’ responses to her work, the book then focuses on each of her novels, looking at the particulars of her characters’ reading and unpacking the multiple (and often surprising) ways in which what they read informs our reading. What Jane Austen’s Characters Read (and Why) uses Austen’s own love of reading to invite us to rethink the ways in which she imagined her characters and their lives beyond the novels.About the AuthorSusan Allen FordSusan Allen Ford is Professor of English Emerita, Delta State University, USA. and has been editor of Persuasions: The Jane Austen Journal and Persuasions On-Line since 2006.She has spoken at many AGMs and to many JASNA Regions and has published essays on Austen and her contemporaries, gothic and detective fiction, and Shakespeare. She was a plenary speaker at the 2016 AGM in Washington, D.C., and has served as a JASNA Traveling Lecturer. ... See MoreSee Less

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